Monthly Archives: October 2014

Bully for Camarasaurus

Note: This post was written in 2014. It predates Emanuel Tschopp and colleagues’ landmark paper which, among other things, resurrected the genus Brontosaurus. I’ve attempted to update the taxonomy where appropriate, but it may still be a bit of a mess.

The story of the mismatched head of Brontosaurus is one of the best known tales from the history of paleontology. I think I first heard it while watching my tattered VHS copy of More Dinosaurs—scientists had mistakenly mounted the skull of Camarasaurus on an Apatosaurus skeleton, and the error went unnoticed for decades. The legend has been repeated countless times, perhaps because we revel in the idea that even experts can make silly mistakes. Nevertheless, I think it’s time we set the record straight: nobody ever mistakenly placed a Camarasaurus skull on Apatosaurus. The truth is a lot more nuanced—and a lot more interesting—than a simple case of mistaken identity.

Intrinsically related to the head-swap story is the replacement of “Brontosaurus” with “Apatosaurus” in the popular lexicon. This is well covered elsewhere, so I’ll be brief. Scientific names for animals are governed by the International Code of Zoological Nomenclature, which includes the principle of priority: if an organism has been given more than one name, the oldest published name is the correct one. Leading 19th century paleontologist O.C. Marsh named Apatosaurus ajax in 1877, based on a vertebral column discovered in the Morrison Formation of Colorado. Two years later, Marsh introduced Brontosaurus excelsus to the world, from a more complete specimen uncovered in rocks of the same age in Wyoming. Like many of Marsh’s publications, these descriptions were extremely brief, offering a scant two paragraphs for each taxon. However, Marsh did provide a longer description of Brontosaurus in 1883, complete with the first-ever restoration of the complete skeleton.

This is not a Camarasaurus skull.

Come play with us, Brontosaurus…forever and ever and ever. Photo courtesy of the AMNH Research Library.

In 1903, Elmer Riggs of the Field Museum of Natural History underwent a survey of sauropod fossils held at various museums and concluded that Brontosaurus excelsus was too similar to Apatosaurus to merit its own genus. The name “Brontosaurus” was dropped, and the species became Apatosaurus excelsus for most of the 20th century. However, a substantial re-evaluation of diplodocoid sauropods by Emanuel Tschopp and colleagues in 2015 reversed Riggs’ decision. So the name Brontosaurus is back, but keep in mind that the species excelsus never actually went anywhere—it was just hidden under the Apatosaurus umbrella. Following Tschopp et al., Apatosaurus and Brontosaurus were distinct animals that lived in the same environment.

So how does the mismatched head fit into all of this? The short answer is that it doesn’t. The fact that some Apatosaurus mounts had incorrect heads for much of the 20th century has nothing to do with which name was being used at any given time, although the two issues have often been conflated in popular books. I suspect the two stories got mixed up because paleontologists were pushing to correct both misconceptions around the same time during the dinosaur renaissance.

Marsh's Brontosaurus

Marsh’s second and definitive Brontosaurus reconstruction, first published in 1891.

Let’s go back to Marsh’s 1891 Brontosaurus reconstruction*, pictured above. The Brontosaurus type specimen did not include a head, and many have reported that Marsh used a Camarasaurus skull in this illustration. However, this would not have been possible, because the first complete Camarasaurus skull wasn’t discovered until 1899. What Marsh had instead was a few fragmentary bits of Camarasaurus cranial material, plus a snout and jaw (USNM 5730) now thought to be Brachiosaurus (more on this at SV-POW). Although these pieces were found far from the Brontosaurus quarry, Marsh extrapolated from them to create the best-guess skull that appears in his published reconstruction.

*Note that this is the second of two Brontosaurus reconstructions commissioned by Marsh. The first drawing, published in 1883, has somewhat different skull, but it still does not resemble Camarasaurus. 

Although Stephen Gould states in his classic essay “Bully for Brontosaurus” that Marsh mounted the Brontosaurus holotype at the Yale Peabody Museum, Marsh never saw his most famous dinosaur assembled in three dimensions. In fact, Marsh strongly disliked the idea of mounting fossil skeletons, considering it a trivial endeavor of no benefit to science. Instead, it was Adam Hermann of the American Museum of Natural History, supervised by Henry Osborn, who built the original Brontosaurus/Apatosaurus mount (AMNH 460), six years after Marsh’s death in 1899.

Counterclockwise from top:

Clockwise from top: AMNH sculpted skull (Source), Peabody Museum sculpted skull, real Apatosaurus skull (Source), and real Camarasaurus skull.

To create the mounted skeleton, Hermann combined fossil material from four separate individuals. All of the material had been collected by AMNH teams in Wyoming specifically for a display mount—and to beat Andrew Carnegie at building the first mounted sauropod. Like Marsh, however, they failed to find an associated skull (a Camarasaurus-like tooth was allegedly found near the primary specimen, but it has since been lost). Even today, sauropod skulls are notoriously rare, perhaps because they are quick to fall off and roll away during decomposition. Instead, Hermann was forced to make a stand-in skull in plaster. Osborn explained in an associated publication that this model skull was “largely conjectural and based on that of Morosaurus” (Morosaurus was a competing name for Camarasaurus that is no longer used).

Was it really, though? The sculpted skull is charmingly crude, so the overt differences between the model and a real Camarasaurus skull (top and bottom left in the image above) might be attributed to the simplicity of the model. Note that there isn’t even an open space between the upper and lower jaws! Still, Hermann’s model bears a striking resemblance to Marsh’s illustration in certain details, principally the elongate snout and the very large, ovoid orbit. It’s reasonable to assume that Hermann used Marsh’s speculative drawing as a reference, in addition to any actual Camarasaurus material that was available to him. At the very least, it is incorrect to say that AMNH staff mistakenly gave the mount a Camarasaurus skull, since Osborn openly states that it is a “conjectural” model.

A young Mark Norell

A young Mark Norell leads the removal of the sculpted skull from the classic AMNH Apatosaurus. Source

In 1909, a team led by Earl Douglass  of the Carnegie Museum of Natural History finally discovered a real Apatosaurus skull (third image, lower right). They were working at the eastern Utah quarry that is now Dinosaur National Monument, excavating the most complete Apatosaurus skeleton yet found (CM 3018). The skull in question (cataloged as CM 11162) was not connected to the skeleton, but Douglass had little doubt that they belonged together. Back at the Carnegie Museum, director William Holland all but confirmed this when he found that the skull fit neatly with the skeleton’s first cervical vertebra. As he wrote at the time, “this confirms…that Marsh’s Brontosaurus skull is a myth.”

The Carnegie team prepared and mounted the new Apatosaurus, and Holland initially planned to use the associated skull. However, when Osborn heard about this he threatened to ruin Holland’s career if he went through with it. You see, the new skull looked nothing like the round, pseudo-Camarasaurus model skull on the AMNH mount. Instead, it was flat and broad, like a more robust version of Diplodocus. Osborn wasn’t about to let Holland contradict his museum’s star attraction, and Holland backed down, never completing his planned publication on the true nature of Apatosaurus. Meanwhile, the mounted skeleton at the Carnegie Museum remained headless until Holland’s death in 1932. After that, museum staff quietly added a Camarasaurus-like skull. This was an important event, as it would be the first time an actual cast skull of Camarasaurus (as opposed to a freehand sculpture) would be attached to a mounted Apatosaurus skeleton. While I’ve had no luck determining precisely who was involved, Keith Parsons speculated that the decision was made primarily for aesthetic reasons.

Carnegie Museum Brontosaurus circa 1934. Source

Carnegie Museum Apatosaurus alongside the famed Diplodocus, sometime after 1934. Source

Elmer Riggs assembled a third Apatosaurus mount (FMNH P 25112) at the Field Museum in 1908. Riggs had recovered the articulated and nearly complete back end of the sauropod near Fruita, Colorado in 1901, but was unable to secure funding for further collecting trips to complete the mount. Riggs was forced to mount his half Apatosaurus as-is, and the absurd display stood teetering on its back legs for 50 years. Finally, Riggs’ successor Orville Gilpin acquired enough Apatosaurus fossils to complete the mount in 1958. As usual, no head was available, so Gilpin followed the Carnegie Museum’s lead and gave the mount a cast Camarasaurus skull.

The completed mount as it stood in the 1970s, Camarasaurus head and all.

Orville Gilpin finally completed the FMNH Apatosaurus in 1958.

The last classic apatosaurine mount was built at the Yale Peabody Museum of Natural History in 1931, using Marsh’s original Brontosaurus excelsus holotype (YPM 1980) and a lot of plaster padding. The skull this mount originally sported (third image, upper right) is undoubtedly the strangest of the lot. A plaster replica sculpted around a small portion of a real Camarasaurus mandible, this model doesn’t look like any known sauropod. The overall shape is much more elongated than either Camarasaurus or the AMNH model, and may have been inspired by Marsh’s hypothetical illustration. Other details, however, are completely new. The anteorbital fenestrae are thin horizontal slashes, rather than the wide openings in previous reconstructions, while the tiny, forward-leaning nares don’t look like any dinosaur skull—real or imaginary—I’ve ever seen. The sculptor is sadly unknown, but this model almost looks like a committee-assembled combination of the Marsh drawing, the AMNH model, and CM 11162 (a.k.a. the real Apatosaurus skull).

During the mid-20th century, vertebrate paleontology lapsed into a quiet period. Although the aging dinosaur displays at American museums remained popular with the public, these animals came to be perceived as evolutionary dead-ends, of little interest to the majority of scientists. The controversies surrounding old mounts were largely forgotten, even among specialists, and museum visitors saw no reason not to accept these reconstructions (museums are, after all, one of the most trusted sources of information around).

A postcard

The Peabody Brontosaurus with its original head. Note that the Camarasaurus in the foreground also has a sculpted skull.

This changed with the onset of the dinosaur renaissance in the 1970s and 80s, which brought renewed energy to the discipline in the wake of new evidence that dinosaurs had been energetic and socially sophisticated animals. In the midst of this revolution, John McIntosh of Wesleyan University re-identified the real skull of Apatosaurus. Along with David Berman, McIntosh studied the archived notes of Marsh, Douglass, and Holland and tracked down the various specimens on which reconstructed skulls had been based. They determined that Marsh’s restoration of the Brontosaurus skull, long accepted as dogma, had in fact been almost entirely arbitrary. Following the trail of guesswork, misunderstandings, and scientific inertia, McIntosh and Berman proved that Holland had been right all along. The skull recovered at Dinosaur National Monument along with the Carnegie Apatosaurus was in fact the only legitimate skull ever found from an apatosaurine up to that point. In 1981, McIntosh himself replaced the head of the Peabody Museum Brontosaurus with a cast of the Carnegie skull. AMNH, the Field Museum, and the Carnegie Museum followed suit before the decade was out.

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Remounted Apatosaurus at the Carnegie Museum. Photo by the author.

Given the small size of the historic community of dinosaur specialists, it may have been particularly vulnerable to the influences of a few charismatic individuals. To wit, Marsh’s speculative Brontosaurus skull was widely accepted despite a lack of compelling evidence, and Osborn was apparently able to bully Holland out of publishing a find that contradicted the mount at AMNH. What’s more, the legend of the mismatched Brontosaurus skull somehow became distorted by the idea that either Marsh or Osborn had accidentally given their reconstructions the head of Camarasaurus. This is marginally true at best, since both men actually oversaw the creation of composite reconstructions which only passingly resembled Camarasaurus. Nevertheless, the idea that the skull of Camarasaurus was a passable substitute for that of Apatosaurus was apparently well-established by the 1930s, when Carnegie staff hybridized the two sauropods for the first time. Even today, there are numerous conflicting versions of this story, and it is difficult to sort out which details are historically accurate and which are merely assumed.

I’d like to close by pointing out that while the head-swap story is often recounted as a scientific gaffe, it is really an example of science working as it should. Although it took a few decades, the mistakes of the past were overcome by sound evidence. Despite powerful social and political influences, evidence and reason eventually won out, demonstrating the self-corrective power of the scientific process.

References

Berman, D.S. and McIntosh, J.S. 1975. Description of the Palate and Lower Jaw of the Sauropod Dinosaur Diplodocus with Remarks on the Nature of the Skull of ApatosaurusJournal of Paleontology 49:1:187-199.

Brinkman, P. 2006. Bully for Apatosaurus. Endeavour 30:4:126-130.

Gould, S.J. 1991. Bully for Brontosaurus: Reflections in Natural History. New York, NY: W.W. Norton and Company.

Osborn, H.F. 1905. Skull and Skeleton of the Sauropodous Dinosaurs, Morosaurus and BrontosaurusScience 22:560:374-376.

Parsons, K.M. 1997. The Wrongheaded Dinosaur. Carnegie Magazine. November/December:38.

Tschopp, E., Mateus, O., and Benson, R.B.J. 2015. A specimen-level phylogenetic analysis and taxonomic revision of Diplodocidae (Dinosauria, Sauropoda). PeerJ 3:e857. https://doi.org/10.7717/peerj.857

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Filed under AMNH, CMNH, dinosaurs, field work, FMNH, fossil mounts, history of science, museums, reptiles, sauropods, systematics

Exhibit Review: Kenosha Dinosaur Museum

Stan and an eagle.

Stan the Tyrannosaurus with a modern eagle. Photo by the author.

Last week, I had a chance to visit the Dinosaur Discovery Museum in Kenosha, Wisconsin. I had no idea this place existed until recently, but it’s a short drive north from the Chicago area, and has apparently been open since 2006. The Museum is a joint venture between the municipally funded Kenosha Public Museum system and Carthage College, and is housed in a lovely 1930s post office (on the National Register of Historic Places). As I understand it, the Dinosaur Discovery Museum was initially imagined as a space to host the undergraduate paleontology program at the College, which is led by Dr. Thomas Carr. While the Museum does include a working fossil prep lab and displays of recent finds from Carr’s field expeditions in Montana and South Dakota, the primary draw for most visitors is the permanent exhibit hall. Although less than 100 feet across, this space is packed with more theropod mounts than I have ever seen in one place.

Nary an ornithiscian in sight. Photo by the author.

Nary an ornithiscian in sight. Photo by the author.

Naturally, the theme of this theropod-centric exhibit is bird evolution. Circling the central pedestal counter-clockwise, visitors can see the radiation of theropods from primitive forms like Herrerasaurus to larger ceratosaurs and tetanurans and finally to increasingly bird-like coelurosaurs. The Dinosaur Discovery Museum must have gotten a very generous initial donation, because they seem to have bought out virtually the entire catalog of casts from both the Black Hills Institute and Triebold Paleontology.

Hererrasaurus

A squatting Hererrasaurus is one of many unusually posed mounts at the Dinosaur Discovery Museum. Photo by the author.

Many of the casts were familiar to me, including the ubiquitous Stan, the Acrocanthosaurus from the North Carolina Museum of Natural Sciences, and the Anzu from the Carnegie Museum of Natural History. Nevertheless, it’s extremely cool to see such a complete range of theropod diversity in one place. I could directly compare any bone from a given mount to the same bone on any other, or even to the helpful selection of modern bird skeletons. The only thing that would make this exhibit more complete would be the inclusion of  growth series from the taxa for which this is known, like Tyrannosaurus and Allosaurus. And for the record, jaded paleophiles, T. rex looks really impressive alongside this menagerie. Overrated, my eye.

Torvosaurus scratches its jaw.

Torvosaurus scratches its jaw. Photo by the author.

Unlike some exhibits, the Dinosaur Discovery Museum does not shy away from the fact that all the skeletons on display are casts. Most of the mounts are very obviously painted in two colors, showing precisely which bones are based on real finds and which are sculpted reconstructions. Unfortunately, a handful of mounts inexplicably lack this information, which could confuse some visitors. One helpful side effect of displaying casts is that the dinosaurs can be placed in a variety of life-like poses. These theropods are not all staring straight ahead with mouths agape – instead, we are treated to displays like the Torvosaurus above, which is scratching its head with its foot.

Ceratosaurus sign.

Signs like this accompany each dinosaur. Photo by the author.

The signage is of similarly high quality. Each dinosaur is accompanied by an attractive panel that provides expected information like the animal’s diet and time period, as well as a very helpful section identifying the quarry where the fossils were found and in most cases, the repository housing the original specimen. Additional signs on the walls cover the origin and extinction of dinosaurs, as well as the many lines of evidence that birds are surviving dinosaurs. Although they look a bit wordy at a distance, these signs are quite well-written for inclined to peruse them.

Acrocanthosaurus.

Acrocanthosaurus and an Allosaurus at rest. Photo by the author.

Also of note is a children’s room on the lower level, featuring (sigh) a sandbox dig and some very helpful and enthusiastic volunteers. Indeed, children’s activities appear to be the Dinosaur Discovery Museum’s strong suit. A look at their website reveals that kid’s programs are scheduled every weekend, and special events like dinosaur ornament making and flashlight tours occur throughout the year.

Clearly, I was impressed by my visit to the Dinosaur Discovery Museum. It’s wonderful that an educational opportunity like this exists in a semi-rural community, something that would have been unheard of not so long ago (did I mention it’s free?). What’s more, the exhibit hall is a great resource for specialists interested in comparing a variety of theropods first-hand. If you ever find yourself in the area, this little museum is definitely worth a visit.

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Filed under dinosaurs, education, exhibits, fossil mounts, museums, reptiles, reviews, science communication, theropods

National Fossil Day 2014

Happy National Fossil Day! This will just be a quick photo post covering the events at the National Museum of Natural History today. The National Park Service started the day with a junior paleontologist swearing-in ceremony, where students from a dozen area schools learned about the importance of protecting and preserving public lands and natural resources.

Photo by

Photo by the National Park Service.

The main show was in the Q?rius education center, where museum staff and volunteers showed off their latest work and discoveries. Visitors could see tiny mammal bones and teeth plucked from matrix collected in Haitian caves, and work through a particularly inspired activity demonstrating how geologists correlate layers in different parts of the world.

nfd2

Photo by the author.

Photo by

Photo by the National Park Service.

Resident scientific illustrator Mary Parrish had a particularly fascinating display, showcasing the methods and materials she uses to create accurate paintings of prehistoric environments. Note the aluminum foil leaves used as models to paint from, as well as the hand-made macquettes used to block out scenes and experiment with poses. Also on view was a draft of the giant Hell Creek mural that will be on display in The Last American Dinosaurs, opening in November.

nfd3

Photo by the author.

Out in the lower level lobby, the National Park Service, Bureau of Land Management, US Forest Service, National Science Foundation, Calvert Marine Museum, and Maryland Dinosaur Park had activities and displays. Here’s our display of recently discovered fossils from Cretaceous Maryland, slightly overshadowed by the Nation’s T. rex. We talked with visitors about Maryland’s role in the history of dinosaur science, the importance of the early Cretaceous as the origin of the world we know today, and our citizen science programs at the Park in Laurel.

image

Photo by the author.

Photo by the author.

Our Deinonychus replica looks a little small next to the Nation’s T. rex. Photo by the author.

National Fossil Day is all about generating awareness and enthusiasm for fossils and the study of the Earth’s natural history. In that, I think the event was quite successful. We talked to nearly 400 people, all of them enthusiastic and eager to learn about local prehistory and the process of discovering the ancient past. It was also a fun opportunity to catch up with people – the Washington area paleontology scene isn’t very big!

Thank you to the National Park Service for coordinating this event, and to the Smithsonian for hosting it!

 

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Filed under citizen science, Dinosaur Park, dinosaurs, exhibits, museums, NMNH, paleoart, science communication